
In a cinematic landscape often saturated with by-the-numbers zombie flicks, Anna and the Apocalypse burst forth like a festive, undead explosion, delivering an experience so unique and utterly brilliant that it defies easy categorization. This Scottish gem isn’t just a zombie movie; it’s a vibrant, heartfelt, and surprisingly poignant musical that will leave you both humming catchy tunes and marveling at its audacious genre-bending. While this was made in 2017, it just got into my field of vision today.
Synopsis (No Spoilers!):
Set in the quaint, snow-dusted town of Little Haven, Scotland, just before Christmas, the film introduces us to Anna, a high school senior with big dreams of escaping her small town and seeing the world. Her best friend, John, harbors a secret crush, while their diverse group of friends – including the socially conscious Steph, the aspiring filmmaker Chris, his girlfriend Lisa, and the school’s resident bad boy, Nick – are all navigating their own adolescent anxieties and aspirations. But their typical teenage woes are abruptly overshadowed when a full-blown zombie apocalypse descends upon their unsuspecting town. Now, armed with improvised weapons (like a giant candy cane!), a surprising knack for survival, and an undeniable urge to burst into song, Anna and her friends must fight, sing, and dance their way through hordes of the undead to find their loved ones and, perhaps, a glimmer of hope in a world gone mad.
The Review:
What makes Anna and the Apocalypse truly shine is its fearless commitment to its wildly imaginative premise. It’s not just a zombie movie with songs thrown in; it’s a fully realized musical where the numbers are seamlessly woven into the narrative, enhancing the story, revealing character, and often injecting a much-needed dose of dark humor or profound emotion. And here’s the kicker: the songs aren’t just “fun” – they’re genuinely fantastic. From upbeat, high-energy ensemble pieces that perfectly capture the chaotic absurdity of the situation (“Turning My Life Around” is a particular standout for its obliviousness-to-mayhem brilliance) to more introspective ballads that explore themes of loss and connection, Roddy Hart and Tommy Reilly’s soundtrack is a masterclass in musical storytelling. You’ll find yourself tapping your feet and even shedding a tear, often within the same song.
Beyond the musical interludes, the film expertly balances its disparate elements. The horror is genuinely gory and effective, with creative zombie kills that will satisfy even the most seasoned gorehounds. Yet, it never loses sight of its comedic heart, delivering witty dialogue and laugh-out-loud visual gags that elevate it beyond mere parody. But perhaps the most surprising and impactful aspect is its emotional depth. Amidst the chaos and carnage, Anna and the Apocalypse manages to explore relatable themes of growing up, friendship, loss, and finding strength in the face of insurmountable odds. The characters, despite their archetypal beginnings, are endearing and fully fleshed out, making their journey resonate deeply with the audience.
Director John McPhail crafts a vibrant and dynamic visual style, utilizing the festive Christmas setting to create a stark, yet often beautiful, contrast with the gruesome reality. The performances from the young cast are uniformly excellent, particularly Ella Hunt as the titular Anna, who delivers a captivating blend of vulnerability, resilience, and sheer badassery. Paul Kaye as Assistant Principal Savage also provides a deliciously unhinged villainous turn.
Anna and the Apocalypse is more than just a novelty; it’s a triumph of independent filmmaking, a testament to creative vision, and a bold reinvention of a tired genre. It’s a movie that truly understands the power of music to express what words alone cannot, even when those words are being shrieked at a shambling horde. Prepare to have your expectations delightfully subverted, your heartstrings tugged, and your brain invaded by some of the most unexpectedly delightful earworms you’ll ever encounter in a zombie apocalypse. This is a brilliant, well-done movie that absolutely deserves its cult classic status.

































